> What is a "normal custom" (isn't that a contradiction) and what is
> "accurate"
8^)
> Personally, I shoot in RAW mode and play with the white balance in
> photoshop.
It also depends on the quality of the light used and the distance to the
subject.
Lee
ajames54@hotmail.com - 23 Mar 2005 21:36 GMT
Good point... beyond a certain depth Red just doesn't exist. The CCD on
a digital camera reads Red/Green/Blue and makes "white" much the same
way your TV does w/o Red they can get cranky...
I've only just started using a digital underwater but I've shot a lot
of surface Video and in low light or weird situations it is best to use
a default daylight setting and try to get the balance as close as
possible in editing ... Like Alan Shooting in RAW.
The other option is to take your own light..
> ? Should following a normal "custom" white balance process while at depth
> ? result in accurate color capture? Any special considerations?
[quoted text clipped - 3 lines]
>
> What is a "normal custom" (isn't that a contradiction)
What I mean by normal is "as described in the manual". By "custom" I mean
shooting a neutral (white) object than letting the camera set the white
balance off that ---- as opposed to selecting "tungsten", "shade", "bright
sun" etc.
> and what is "accurate"
As close to what one would see absent the strong blue bias introduced by the
water.
> Personally, I shoot in RAW mode and play with the white balance in
> photoshop.
Not an option for me.
Alan Street - 23 Mar 2005 23:12 GMT
> > ? Should following a normal "custom" white balance process while at depth
> > ? result in accurate color capture? Any special considerations?
[quoted text clipped - 8 lines]
> balance off that ---- as opposed to selecting "tungsten", "shade", "bright
> sun" etc.
I suppose you could take an 18% gray card down with you (or something
like these: http://www.warmcards.com/digital_camera.html) and set the
white balance that way.
> > and what is "accurate"
>
> As close to what one would see absent the strong blue bias introduced by the
> water.
With or without artificial light? Without artificial light, your eyes
tend to compensate for the lack of red, so it's a little hard to define
"accurate." What the camera sees and what you think you're seeing are
usually different. If you add your own light (recommended) it will be
easier to compensate for the lack of red.
> > Personally, I shoot in RAW mode and play with the white balance in
> > photoshop.
>
> Not an option for me.
Steve - 24 Mar 2005 08:18 GMT
> Without artificial light, your eyes
> tend to compensate for the lack of red, so it's a little hard to define
> "accurate."
We only think our eyes are compensating because we often don't really know what the
scene "should" really look like. Last year I saw a guy spear a hogfish. After it
poured lots of dark green/black blood into the water it turned much redder than I
expected at the surface. The fish turned redder, that is, not the blood.
I think that if the OP isn't going to do any software correction afterwards he should
set the white balance with a white card.

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Steve
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Pete S. - 24 Mar 2005 11:10 GMT
>> ? Should following a normal "custom" white balance process while at depth
>> ? result in accurate color capture? Any special considerations?
>> What is a "normal custom" (isn't that a contradiction)
>
>What I mean by normal is "as described in the manual". By "custom" I mean
>shooting a neutral (white) object than letting the camera set the white
>balance off that ---- as opposed to selecting "tungsten", "shade", "bright
>sun" etc.
There is not enough red to permit the camera to obtain white balance
at depth.
>> and what is "accurate"
>
>As close to what one would see absent the strong blue bias introduced by the
>water.
You mean lack of red bias, surely?
>> Personally, I shoot in RAW mode and play with the white balance in
>> photoshop.
>
>Not an option for me.
RAW is good. Post processing is good.
I shoot in RAW mode, to solve all the above. I do not perform "custom"
colour balances. The camera, in order to perform a custom balance
needs to amplify some colour channels. If that channel does not exist
it cannot be amplified. Red is dead by about 10m.
Pete s.